I like processes that engage with the world in some way, that flirt with dead ends and roundabouts, to finally arrive at some unexpected synthesis.

There were almost interminable half-starts and mis-directions while working with Brim, but slowly, a cellular structure inched its way towards resolution, until with one brief gesture it was completed with the grasp of a hand. In that motion, a profusion of wires were cinched into a single point, and the piece became arrested in a kind of classical stillness.