The core of my work has to do with process. Whether it’s as simple as working in call and response to the materials at hand in my studio or working within the context of a public space, I look for the living edge – that liminal space that only reveals itself when the initial conditions of environment, materials, and conceptual intent engage in a kind of dance. I like being surprised by outcomes that defy meddling preconceptions and exhibit the rich complexity of innumerable inputs, resulting in an unexpected synthesis.